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Saskia Elizabeth Ziolkowski

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Tag Archives: literature

Kafka’s Italian Progeny

Posted on February 25, 2020 by SEZ
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Kafka’s Italian Progeny (University of Toronto Press, 2020)

Ziokowski, Kafka's Italian Progeny cover_Page_1.jpg

Ziokowski, Kafka’s Italian Progeny cover & table of content

Posted in Publications | Tagged amelia rosselli, Buzzati, Cesare Pavese, Elena Ferrante, elsa morante, Italian literature, Italo Calvino, Italo Svevo, Kafka, lalla romano, literature, Massimo Bontempelli, Paola Capriolo, Tommaso Landolfi, world literature | Leave a reply

THRESHOLDS AND MOTHERS: ELSA MORANTE’S “ARTURO’S ISLAND,” TRANSLATED FROM ITALIAN BY ANN GOLDSTEIN

Posted on September 16, 2019 by SEZ
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My review of the Ann Goldstein’s new translation of Elsa Morante’s novel L’isola di Arturo in Reading in Translation:

Thresholds and Mothers: Elsa Morante’s “Arturo’s Island,” Translated from Italian by Ann Goldstein

 

Posted in Publications | Tagged #anngoldstein, #ferrante, literature, morante | Leave a reply

Adaptation: Literature & Film – Fall 2015 at Duke

Posted on April 12, 2015 by SEZ
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Ziolkowski, Adaptation Literature & FilmZiolkowski, Adaptation Literature & Film

Posted in Courses | Tagged 89S, Adaptation, AMI, film, first-year seminar, First-Year Seminar Program, humanities at duke, Italian at duke, literature, romance studies, Trinity college of Arts & sciences | Leave a reply

Blogroll

  • Kafka and World Literature
  • Modern Jewish Italian Authors

RSS Saskia Elizabeth Ziolkowski

  • Kafka’s Italian Progeny
  • Adaptation: Cinema & Literature
  • Scego’s “Beyond Babylon”
  • America from Abroad: Literature & Cinema
  • Black, Jewish, and Italian: Intersections in Igiaba Scego and Claudio Magris
  • From Franz Kafka to Pietro Grossi: What Italian Talking Animals Reveal about the Human Crisis
  • Scego, Sausages, Jewish Italy, and Us
  • Ferrante as Jewish Author
  • THRESHOLDS AND MOTHERS: ELSA MORANTE’S “ARTURO’S ISLAND,” TRANSLATED FROM ITALIAN BY ANN GOLDSTEIN
  • Names, Mediation, and Italian Literature in Emila Galotti: From Dante’s Galeotto to Lessing’s Galotti

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